I write about music and stuff...

Thursday 26 February 2015

Kanye, the BRITs and the Grime Scene


What Kanye did at the BRITs tonight made me happy. Very happy. As in, push-your-statistics-lecture-notes-to-the-side-and-pull-out-the-Poomplex-mixtapes-to-commemorate-such-a-wonderful-moment-happy. 

The UK "urban" music scene hasn't valued itself for a while now. We do not celebrate our own talent. This is because the wider mainstream UK music industry fails to really acknowledge us. The very fact it took an AMERICAN artist to showcase the UK Grime scene on a UK awards show says it all - we are no rated. But the very fact that, Kanye was mobbing the stage along with a good portion of the Grime scene on ITV at 8:30pm is very nang indeed.

Now I'm not going to be totally naive. Kanye's public appreciation of Grime tonight and in particular it's current front man Skepta, isn't completely dissociated with the fact Grime has been getting a bit trendy again lately. The same can be said for Drakes recent public appreciation too. Their affiliation with a culture that's recently been regenerating a buzz is going to have it's promo perks. Then again, do they really need to feed off our scene? I feel this recent recognition of our scene isn't fully a "Diddy/Hello Good Morning" esque stunt. In my opinion, there is an actual display of respect for our scene being shown for once. Stormzy, Novelist, Skepta, JME, Logan, and Maximum were all put on the bill for a New York Fashion week party and delivered a heaaaaaaaaaaaaavy pirate radio styley Grime set. To me that's a pretty clear indication that our friends from over the Atlantic are both acknowledging and embracing what we're doing. There is an interest and channelling of Grime's spirit going on. I mean, Drake watching old LOTM clashes shows a decent amount of submersion into the culture. 

For a long time, the scene, in a quest to validate itself, has been hunting for a UK co-sign. This has led to replacement of our authentic sound, with an Americanised one in hope it will get them to listen to us. This sillyness has stemmed from the lack of belief in our own scene and the mentality that a US-cosign is the only source we need to prove it's half decent. But recently, there has been a re-channelling of the roots of the scene. And that is why people have stopped ignoring it. And that's why tonight made me happy. It was a perfect example of how freeing the realness and nurturing our true sound is the most effective way for it to be actually heard. 

What we must realises is that the US recognition isn't making our scene any more worthy. Our home-grown talent did that themselves. What the US recognition is doing though, is finally giving our artists the attention they deserve. The reality is, US artists have taken plenty of inspiration from the Grime scene for years. Except now, they are not hiding it. We have the authenticity back in our culture that they want back in theirs. Plus, surprise surprise, they actually like the music we make. So it's only fair they rate us loudly and proudly now. Hopefully it will prompt our own scene to own itself. US validation isn't what Kanye gave us at the Brits. Say what you want, but I truly believe he was making a statement on our behalf. He saw our under-representation in the industry so, instead, he decided to shove us in everyone faces. I'm glad he did it. It's just sad we had to rely on him to do it for us. 

Nevertheless, I feel 2015 is definitely the year. Since Skepta has taken this new creative direction, I've been dying to hear his soon-to-be-dropping album Konnichiwa . But now, I'm even more excited to see what impact it has. I have a feeling it's going to get the support of some interesting people, which will help speed up the ever-anticipated process of Grime taking over the world. So yeah, hurry up and drop it for us Skepzzzzz!

Read More

Tuesday 3 February 2015

Lady Leshurr - Queen's Speech


Lady Leshurr has always been one of my favourite MC's. And yes, please note I did not say "favourite female MC". She's got a tighter flow, better bars, stronger charisma and sharper delivery than most of the boys on the scene. When it comes to freestyles (and, to be fair, pretty much every other bit of work she puts out) Lesh will always absolutely body it. And when I say body it, I mean she'll body it to the point where, I still don't think I'm actually over the way she tore up her "Good God" freestyle from a good few years back. Thus, her new monthly offering, The Queen's Speech, in which she gifts us a dose of bars upon bars, is very exciting indeed. Episode 1 dropped on Sunday night and yep...it's FI-YAAAAAA. 

It's rare for me to not be able to pick out an MC's strongest area. But, there Lady Leshurr has me on a Sunday night, arguing with myself over what it is she does that makes me wanna press replay 356456 times. Is it her, what seems to be, infinite supply of punchlines? Might it be the crazy flows? Or is it down to the plain personality and fun she delivers every single word with? Whatever it is, I have more pressing matters to be concerned with, such as; if she was male, would she be so damn tragically underrated? *sigh* 

Read More

Sunday 1 February 2015

D'Angelo on Saturday Night Live


The dropping of Black Messiah, reminded us of what we have missed from music. And no, I'm not just talking about D'angelo's soul caressing vocals laid over hypnotic beats (that can be product of nothing other than delicate craft). I'm talking about the questions conjured, the issues outlined and the message so wrapped within the music, it still penetrates the trance his voice puts you into. The political statements could not be missed in The Charade; "All we wanted was a chance to talk, 'stead we only got outlined in Chalk" - a reference to Mike Brown, Eric Garner and the horrible injustices in America that are evermore apparent right now. In, what I believe is, his first live performance since dropping the album, D'Angelo performed the track last night on SNL, along with Really Love.

It's stripped back, it's simple but there is real detail in the performance, which is probably why it's so enticing. It's funny because, the making of the album was a collaborative effort from D'angelo and his band, The Vanguard, so the live versions of both tracks sound pretty much identical to the album versions. It's just something about seeing it all being executed to perfection live that's so intriguing. I literally found myself fixated on my screen (but that's probably also because I was trying imagine D'angelo serenading me with Really Love because boy those vocals are tighttttttttt). I feel like the choice of songs; one about love and one about fighting against social injustice, sent out 2 things we really need in the world right now. Less subtle, was the message he relayed with the chalk outline on stage, the band's "I Can't Breathe" shirts and the hoodie he wore (which I'm guessing is related to the tragic story of Trayvon Martin). The perfect use of music, the perfect use of performance and the perfect use of platform. 

I love live bands, smooth ass vocals and music doing more than just entertaining - but sending out a message. So yes, I loved this performance. And yes, I need someone to come with me and watch him and Raheem - Razzaaaaaa - Bakhare when he comes to London town pls.

Read More