Happy Birthday Kano - Throw Back Thursday

I love Kano for many, many, many reasons....okay mainly 3:

1. He is still one of the finest MC's we have. He pioneered the Grime scene and still runs things in it. A nice album from you, Kane, would help in proving people wrong when they disagree with that statement, although I think one of his latest droppings, The King's Speech, featuring Ghetts (still also in probably my top 5) which you can have a listen to here, provides plenty of proof.
2. His face is really, really very a lot nice.
3. His instagram makes my life. The hashtags are A*. Plus it's another opportunity to admire his face so yeah.

Anyway seeing as it's Throwback Thursday and it's Kano's birthday and it's nice and summery outside, how about an old school track from Kay-ayyyyyyyyyyyyyyyyyyyy

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P Money and Big H - LOTM Trash Talk

I have to rate Big H's confidence. So much so, that sitting and watching every interview he has done since dropping Fire and Smoke is becoming a hobby of mine. There are certain things artists may feel but don't say, and if they actually do say them, then they drop the fake "I'm only joking hahahha" afterwards. Big H on the other hand, says these things with pure seriousness, then sits with a straight face waiting for the next question, with an arrogance that is confusingly not as obnoxious as it should be. This confidence is witness-able in this latest clip of P-Money and H trash talking ahead of their hugely anticipated LOTM clash, that I am half convinced Big H stands a good chance of actually surprising us in and giving P Money that heaaaaaaat.

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Usher - Good Kisser

I knew you wouldn't leave us drowning in all that fist pumping, dance poop.

The song oozes those hot, provocative flavours. Everything on this track is so so simple and so so clean. Simple beat. Simple lyrics. Clean vocals. Yes. Yes. Yes. It wasn't hard to make a good comeback and top his most recent offerings prior to this new release but thank god he came back  a reformed man. It was just last week I was sat wishing Usher would return to something resembling his "Confessions" phase, not only for the good of his musical credibility but just because my ears missed it. The video for the track is just as clean and simple as the song, starring the Usher we know and love: dancing, smiling cheekily and topless every so often. Good on ya' Ush, it's best to get this all in before you become too old for it to be appropriate - just don't overplay it and be too much of a Trey Songz. Seriously though, the fact this new release is David Guetta free (talented but tainted the R&B scene which is not an easily forgiveable offence) is such good news for my ears.

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BASHY WENT FRENCH THOUGH (Bashy: Fire In The Booth)

Truth be told, and I am ashamed to say it, I've never really gone out my way to listen to Bashy. The only time I've not seen him in a non-commercial light is on LOTM and on features which, I was always impressed by, but for some reason I still never acted on it. Consequently, before I had a gander at his Fire In The Booth, the image of Bashy in my head was just "commercial Bashy". While I liked the concept of his recent single, 'These Are The Songs', there wasn't much more for me to get realllllly excited about...

...then he spoke French.

He starts with all that political ishhhhhh which was a straight big green tick from me. You could say addressing real issues is something Bashy has done from the start, for example, with 'Black Boys'. But that was years ago, and who want's to be a millionaire etc were hardly the same calibre. Then, came the Arctic Monkey's instrumental and Bashy started talking about big boy stuff. Like, actual, proper grown stuff. None of that pretending he is something he isn't and stunting for image. What's better is that, yes, this realness radiated maturity, but it still left enough room for Bashy to have fun and do fun things i.e. throw shots at Dappy :D

The fire started after all of this though. Flows upon flows to spout a whole loada truth, from how to break the system to how you should reflect on your reflection in the mirror if it's showing you a man in a skirt. This Fire In The Booth was basically just full of ridiculously quotable stuff and yet the most un-quotable part was the ne plus ultra and yes, I know I went Latin, but that's only because BASHY WENT FRENCHHHHHHHHHHHHHHHHHHHHHHHHHH!

Yes.

A verse of fire in French. Lord help me if I knew what he was actually saying jheeezeeeeeeeeeee. Prior to the FITB, the image of Bashy in my head was "Commercial Bashy" in his video pushing a trolley of sacks with the pound sign on them in Arial Black  font. By the end, it had transformed into Ashley-Bashley Thomas sitting in a Jean Paul Gaultier suit eating a croissant (because French innit).
If I never rated him before, I deffo rated him now.

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#ThrowbackThursday - Donaeo Speechless Live Lounge

I have a habit of dropping these #ThrowbackThursdays (well the 2 that I have actually done) at the very end of Thursday but oh well.

Today I bring to you a Live Lounge I rediscovered during my long long long journey to and around London yesterday within which I had ample opportunity to rinse my iPod's battery to the core. On rammed tubes that I only got on as a result of full exploitation of my small frame, which enabled me to fill the tiniest pockets of space on the carriages, there was no room to breath, let alone manoeuvre my arm so it could reach into my pocket and change the track on my iPod. But on letting it do it's own thing, it dug up a few forgotten gems buried under playlists upon playlists. One of these was Breakage ft. Donaeo - Speechless which technically I can't really call a gem because I don't really like the song that much but I loved Donaeo's solo cover of it.

Donaeo/DON-AAAAAAAAAAAAY-OH, is the creator of some of the biggest tunes that you hear on a night out and so like most, that's all I really knew him for - a wicked producer who occasionally dropped a couple of random vocals in the form or "party-ty-ty-ty-ty-ty-ty haaaaaaaaard zum zum zum" or "I'm fly, I'm fly-y-y-y ta na na na na ni ni ni ta na na na na na ni ni ni ni". I never actually knew he could sing or did anything more than produce mean beats that made my waist wiggle. It turns out Mr Zephron has a voice that I wish he used so much more. It's not exactly a husky, raspy voice (which I'm a sucker for) but there is something about that tone and very slight, subtle coarseness that I want more of.

So Mr Donaeo, please sing more for those soul destroying cold, rainy Mondays when I need therapy (but please also carry on making riddimsssssss too for Friday nights).

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Dot Rotten - You Wasted My Time (cover)

I am often awake at these stupid times, asking myself "WHY WHY WHY AM I AWAKE?!". I never usually have a good reason... until today, courtesy of Dot Rotten, for if I had retreated to my slumber at a normal time like a normal human, I would have missed out on Dot Rotten dropping a bomb.

A little over 24 hours ago Krept and Konan gave us the UK remix of Don't Waste My Time. It being a madness, naturally encouraged me to post about it here, and if you read it, you will see written in ink/pixels, me telling you to be excited because it is these types of tunes that get the whole scene going on one. And that's when good ol' Dot comes into play.

Since Dot's fairly decent album, he hasn't really been doing much, or not enough to be causing a stir at least (except on twitter). Well, I assure you after you let you ears get assaulted by this then you'll be saying: "Sorry I forgot just how good you were Mr Rotten because GAT DAHHHHHHM!". I don't know what ruffled his feathers, it could be absolutely anything because, as I said before, judging by his twitter, lately he seems to be frustrated with anything and everything on the UK scene that isn't Minarmy. Whatever it was, he let something go fo' sure and consequently he absolutely, unequivocally, totally and completely went in RUTHLESSLY during this therapy session he partook in, in his studio. It's evident that once he embarked on this outburst he couldn't stop; "F*** THAT I DONT WANNA HEAR NO CHORUS...!!!!", only this is a much more skilfully executed outburst than your usual. The bars are well constructed. His delivery, even with the 'Tempz Next Hype' level anger, is controlled and as a listener you're not just left drowning in a mess of poorly executed bars flung carelessly at us. This control is packed into two flows, the first; a fast, more spiteful, yet calmer flow and a second slower but heavier flow, adopted after the beat drops. Considering that this remix was one of the first to fall at our feet, and it being a freestyle at that, you'll feel yourself wanting to apologise to Mr Rotten yet again for forgetting how good he is.

Go and 'ave a listen m8.

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Don't Waste My Time UK Remix - Krept, Konan, Chip, French Montana,Wretch 32, Chinx Drugz and Fekky

2nd of January, everyone awoke from their slumbers, rubbed out the eye bogeys and sat in their beds at 11:30am scrolling through twitter forgetting about the words of "wisdom" they were blabbering the other day across all thier social networks about productivity, pumping up the work rate and positivity. Amongst the "WE BE ALL NIGHT LOOOOOOOOOOOVE"//It's not everyday...//Real men shouldn't this and should that tweets as they scrolled they would have come across snippets of drama (which was very much over hyped by twitter land) surrounding the two Don't Waste My Time remixes dropped today. Now although I'm here to talk about the track, not the industry politics and the misunderstanding surrounding it, I must quickly address one thing...

Due to all the hoo-har on twitter, the one real issue in all of this was overlooked: the lack of respect French (along with pretty much the rest of the US scene) showed for the UK. He used a UK song for his mixtape. Okay, that's cool, thanks. But could he not have even credited Krept and Konan on the track listing? Is this twitter - there are no character limits. And did he really have to take the UK artists off the song to put it on his mixtape? Last time I checked, Lana Del Ray wasn't part of Coke Boys but she's still featured so it cant be that  he took off Chip, Fekky and Wretch's verses because it's a purely just a Coke Boys project. They executed strong verses - it would not sacrifice the Coke Boys' rep or quality of mixtape to keep them on there. He's not obliged to do anything but if the UK scene was rated let alone respected then just a simple gesture to support our scene would not harm himself, his career and would take him minimal effort. I guess it's that American artist "superior" attitude thinking that remixing one UK track is one too many favours for us.

That's just my thoughts but anyway...

The original version of 'Don't Waste My Time' is a straight greezy, raw, gas-material track. It doesn't carry the substance Krept and Konan's more concious stuff does, and although I love me some music with a message, from time to time you have to switch it up and give credit to the bangers that, when blasted, have you nodding your head like you're the don dadaaaaaaaaa. This is exactly why I was clinging onto the edge of my seat for the remix to drop. It's these types of tunes that get the artists on their toes making sure they go H'IIIIIIIINNNNN competing for the hardest verse whether they get put on the remix or do their own cover. And that's the real beauty...it gets the whole scene going!

You don't even need to get past the first verse for proof of this - Chip wins! He said it was a "killer verse" and he tells no lies. It's not technically  the best in terms of lyricism blah blah but for the type of track it is, the verse is perfect. For me, French got a bit lazy on this. Although they're decent bars - they're recycled and given that he always raps about the same old stuff anyway it's nothing more than a poor effort from him especially for something he is putting out on his mix tape where it's usually nice to deviate and experiment in the safety of the non-mainstream waters. Moving on...Wretch has never been the "greezy" type of rapper and if you were to match a track to him, this wouldn't be it - it's way darker, far too trappy and hence a lot more Americanised than his usual stuff. However, he manages to sound more than comfortable on this track controlling his verse and letting it build momentum as it progresses, leaving on a good, solid ending;"kabooooooooooom". Surprisingly, it's not his lyricism that stands out for me in this, but it was his delivery that took the spotlight - it was strong and was what gave his verse fire. Another piece of evidence proving he is one of our most skilled and versatile rappers right now. Chinx Drugz verse was decent. I'm not gunna lie, I haven't really made effort to listen to his other stuff so I can't really comment against his other work but judging from this he is iteeeee. If I wasn't the eager beaver I am, after hearing this I probably wouldn't have much motivation to listen to anything else of his. Fekky was good. Not at his best for me but he was decent and definitely continued the theme of Team UK > Team US which echoes through the track. It goes without saying that Krept and Konan's original verses were hard and even with the new additions they still remained strong (if I had to choose between the two though it would be Krept).  

The team US link up (although slightly messed up with the way French dropped his remix first) is a great move for Krept and Konan but the US efforts on this are lazy. A straight UK link up with a few more of our homegrown artists could have this looking like the new 'Game Over' and definitely worth my time. I'm just excited for the next few days where everyone is going to be dropping their own verses over this. Round 2 commence *DING DING*

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