Shakka & Frisco - Walking With The Elephants Remix

You're most probably familiar, in fact overly familiar, with Ten Walls' track, Walking With The Elephants, as it circulated the radio waves and club scene last year. Just as you thought you'd thought that crazy central horn section of the song just wasn't as exciting as it used to be, Mr 2 K's, with help from Mr Frisco/Frisc-FLOW has revitalised its beautiful grunginess in his latest remix. If I were to sum up my feelings upon first hearing the track, I'd have to describe it as one of those songs that remind you why you love music so god damn much.
Shakka's voice pretty much just induces dopamine release in my body. This is probably down to the fact that I can be 100% certain, if it's got Shakka's name on it, it will be a CHOON. His voice, creativity and overall approach to music is so so so so so so so so so refreshing. Personally, the gas levels of this tune were significantly enhanced by getting Frisco on it, being that he is one of my favourite MC's. To be fair, Like Frisco said in the video below, Shakka came up on the track like an MC himself. So, personally, having an MC jumping on the track was really not necessary. But, Big Fris' cool, calm and suave, yet gritty, flavours worked to my approval for sure. I definitely think they can be much better appreciated in their live performance below (which by the way makes me want to cry many salty tears over the fact that I was not there to witness this in the flesh).

If you also want to experience it in all it's bassy glory, which I suggest you do, then click here innit... 

And, if your soul feels it needs to soak up some more of Shakka's wonderfully infectious energy then this is a must (if you haven't seen it already). Beautiful, creative and innovative. If the glorious vibes he radiates weren't enough, he further enhanced his live performance and artisty by using his own live recorded vocals to accompany the live band in providing the backing music. It's hard to explain, but it's proper cool so just watch it.

And whilst we're in SBTV land you might as well check out Frisco's latest freestyle. Back with slick bars on a sick grime beat courtesy of Rude Kid, he shows us what we already know, Frisco is gulllllllllllllllly 2 da core. He also talks about a new, monthly, grime event he is launching (which the footage of himself and Shakka's performance above is from). I would love to go at one point in my life seeing as I actually live in London now, so, yes, the vacancy for an accomplice to grime raves for a small brown girl is still very much wide open :)

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Angel - About Time

If this album is your first experience of Angel, you'll think of him covered in tats, rocking the Trapstar hoodie and sporting the Nike Air Max - then you'll ready yourself to nod your head to a few gully beats underneath his stories of the struggle. Press play on his debut album and you will hear the sultry sounds of Angel's vocal pouring out your speakers and coating your eardrums.

Not to say he hasn't seen the mean side of the streets, but with this being a more commercial catalouge of his talents he had to replace the slight grittier, not-so-clean-cut side of his music with songs more focused on the struggles...of love, that is. That doesn't mean he didn't keep it real but About Time really is an album to show off Angel's musical capabilities (which are high) as well as appeal to a wider audience.

My favourite aspect of the album in general is the choice of collabs. Personally, this is one of the ways I feel he kept this body of work real. He has used artists that have helped nurture/maintain the originality and rawness of his music - the collaboration with H.I.M (his breddaaa from EARLY) is a display of the strength of the grip Angel has maintained on his roots - despite stretching to the heights of writing with Frank Ocean on the album. I love the link up with George the Poet because I love George the Poet. I think we could have done with a bit more George the Poet because I felt this was the only structure we really got on the album. After listening to Angel's commentary I realised I hadn't clocked the story hidden in this album. But then again this is Angel's body of work, not George's. Plus, as I said, this album wasn't primarily made to tell a story but to get his music out there. If people are interested enough, the commentary tells the story just fine.

For me there aren't tracks to top his previous works Ride Out and Forget About It. Circles In Squares and More Fire are probably my favourite tracks.  More Fire has got that energy - goooooood energy and the stronger and more powerful vocals deliver it well. Shakka was the perfect collab for this track helping build that organicity. Circles in Squares, is a different story - so calm. The subtlety and softness in his voice that plays with the ear is perfect. These two tracks come one after the other and not only show that Mr Charles can not only sing but sannnng, but also show his versatility in what he can create as a songwriter/producer too - a true musican.

I was anticipating this album to make movements in the progression of the UK urban music scene. R&B has never really broken into the commercial scene. I wouldn't describe Angel as a typical sweet-boy R&B artist. He's always had a little edgy vibe to him and his sound has always had that street influence. This vibe still vibrates through the album with that fusion of pop. He is not only helping the R&B genre break through the chart, but he has made his own mark by switching it up. He's complied a group of fresh, quality tracks. Some tracks are worthy of a sly shoulder shimmy on the bus while you vibes through your headphones and some are perfect to serenade me with (that's a demand not a hint, Angel).

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Blackout - Wretch 32 ft Shakka (prod. Knox Brown)

Friday night and all I see over twitter is the date 4/3/13. Now be being the cat the curiosity killed and a big fan of Mr Wretch 32 I was hype hype hype at the thought of new music especially from the new album he’s going to drop this year. So come 8pm I was sat with my laptop listening to Mista Jam’s show. I even missed the start of Eastenders for this so you know it got real.

Evolution is the key word. You’ll hear the intro and think “is this going to be another rapper spitting over a dance beat?”. Well if you thought that: 

1) shame on you

2) I bet your ears weren’t prepared for that.

 If I asked you to name 1 track that Blackout sounded like, even with the combined musical repertoire of every DJ in this whole wide world, you wouldn’t be able to. This is something different to any song that has graced our ears – and note I used the word “graced” implying that different isn’t just good but MAD good.

The beat for me is the most significant part of this track, and is the work of Knox Brown, part of the Renowned Collective. Often I feel producer’s input to a track is overlooked but with his work, it’s hard to ignore what he has created – not made, created. It’s pretty hard to describe what he has done with the beat, but I love that. It doesn’t stop surprising you and as well as keeping you intrigued to the track, it transports you somewhere else. Then we have Shakka. Now Shakka is an artist I hadn’t come across before but this is a perfect example of the hidden talent the UK has been hiding for a too too too long. His vocals are on point. Clean. Subtle. Powerful. I’ve known about him for 5 minutes but I am actually ecstatic (yeah that happy!) that Wretch has given him this platform because his voice breathes “gifted”. Wretch has been doing his thing for years now but never fades. The track just reminds you why you, and even gives you more reason to, love Wretch. He has kept it real and while taking a risk and going down a different lane he hasn’t strayed too far from the road on which he started – and this is why it works so beautifully. Evolved sound – Check. Lyrics that can’t be touched, just felt – Check. Mention of his beloved Disarano – Check. Heartist.

The 3 of them have done what music is made to do, but only few can actually carry out: produced a fresh, hot, new vibe that takes you somewhere – I don’t know where, but I don’t care. Now just wheel that yo!

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