I write about music and stuff...

Showing posts with label Miguel. Show all posts
Showing posts with label Miguel. Show all posts

Monday, 29 April 2013

Miguel - How Many Drinks ft. Kendrick Lamar

Miguel goes down in the book with the likes of Bobby Valentino in the chapter of borderline offensive lines that still weirdly sound romantic. I'd say Bobby Valention's: "Slow down, I just wanna get to know you, but don't turn around 'cos that pretty round thing is good to me" makes you feel at least a bit more 'worth it' than "you look good, and yeah I got money but I don't wanna waste my time" from Miguel. But, albeit his dodgy lines, Mr Miguel has mastered sounding like an a** yet making you think "Miguelo Miguelo, where for art thou Miguelo?" at the same time. A good slow jam needs that va-va-voom passion, which Miguel formulates perfectly with his sweet tenderness balanced with blunt sourness. A TRUE slowjam though, is defined by peppermint-spray-in-the-eyes-worthy-chat-up-lines actually sounding like Shakespeare's finest sonnet. And that's exactly what How Many Drinks does.

After 'Adorn', 'How Many Drinks' was my FAVOURITE song off Kaleidoscope Dream, so when I found out it was being released I was happy happy happy. When I heard Kendrick was featuring though, I was a bit wary. I love Mr Lamar but I didn't think the song needed to be or should be tampered with. However, Kendrick pulled it off managing to match the boyish/cheeky side to the song, laying his verse over what was originally Miguel's half-rap. I like that the verse was really Kendrick-ish, even adding in a few "Swimming Pool" references but still actually relevant to the song. God knows how many remixes I've heard when an artist has jumped on a track with lyrics that don't fit with any part of the track except the rhyme scheme. Good job Kendrick, you didn't kill the vibe (harhar).

When I imagined the video to this song, I imagined there would be some sort of story set in a club with a few slick slides across the dance floor over to the bar where the pretty girl is standing. Instead they opted for the whole performance visual, which I think is a missed opportunity and a lazy lick of the envelope to seal a damn-good-package. I will be positive though, and say I like the way Kendrick throws the mic at the end of his verse and Miguel catches it - yeah, I'm amused by the little things... (and NO, that "little things" was not in reference to Kendrick - although he does look like an ikkle cutie in this video).

But yes, although the video isn't "extraordinary" and I think a lot more could have been done with it, it's the closest we'll get to being serenaded by Miguel... *sigh*

Read More

Monday, 11 February 2013

55th Grammy Awards


One day, we in the UK need an award show to match Grammys. The awards and and performances are on a whole other level but the Grammys are actually ABOUT music and considers all music that is making a mark, which is something I don't think I can say for our award shows :(

One award I love that the Grammy's do is Song Of The Year (which FUN won for We Are Young). It's different to Record of The Year because Song of the Year is awarded rightly so to the composer/writers of the song rather than just the performer - something the BRITS need to take note of. Last year I remember when One Direction won a Brit Award for something along the lines of Best Song - bearing in mind they didn't have any input into the creation of it other than their vocals. Fair enough they made an impact on music, but in the UK I think we definitely need to pay a lot more recognition to the real artists we have in the UK - as in the ones that have more involvement in the music they actually put out.

Mumford and Son's won Album of the Year. Now I'm not even going attempt to try and wing a paragraph about this album because I haven't heard it but now I'm going to have to give it a listen ASAP. I've not really paid THAT much attention to them in the past but from their track's I have heard, I find it's easy listening and what I like most about their sound is; it is cultured. The four-piece need a massive congratulations without question. Being an English Act winning the top prize at America's biggest music award ceremony is definitely a power move.

Rap Album Of The Year went to Drake with 'Take Care'. If I'm real, I don't know if I'm happy about this or not. I think Drake has recently been overly hyped. Personally, there are albums that haven't even been nominated such as 'Cruel Summer' that, in my eyes/ears, were much better. Drake did have a some real good tracks on there, and with his carefully crafted lyricism he is definitely one of the best rap artists right now, but if I had to award best Rap Album, Drake wouldn't be the first name to pop into mind. Nevertheless let's all breath a sigh of relief 2 Chainz didn't win. I think the nominations for this award next year definitely need to be more carefully picked though - without a doubt Mr Kendrick Lamar is going to be a top contender for this.

 Contrastingly for Best Rap Song and Best Rap Performance, no one can really deny Jigga and Yeezy this award - N*ggas In Paris was this year's anthem. I'll forever regret that I never got to witness this live at the Watch The Throne Tour or Hackney Weekend. Cry. The Watch The Throne album got them both another award, Best Rap/Sung Collab, along with Frank Ocean for No Church In The Wild. When you compare the power of every element of this song compared to that of fellow nominee Flo Rida with Wild Ones - they had no competition (once again).

Miguel won Best R&B Song for the ultimate slow jam: 'Adorn' - *Lethal Bizzle Voice* OBVIOUSLY. I don't think there are words to describe my love for Miguel, and in particular this one song. This song helped me come to the realisation that being serenaded by Miguel is something I must do before I die - I'm not even joking. Miguel's vocals are untouchable in R&B land right now and he has the sweetest way with words. Even Usher's latest album didn't have anything on Kaleidoscope Dream.


Adele won Best Solo Performance of the Year. Some of the nominees more than know to how to put on a show *cough* Rihanna *cough*, but Adele can make a whole room silent with nothing but her voice. But forget that, I rated Adele more last night for shouting at Breezy for being the only one not clapping for Frank when he won Best Urban Contemporary Album. She's still got that Tottenham feist bwooooooooy!
Frank's win was so well deserved. He has brought such a simple and beautiful sound to the scene. It's an easy listening album but when you delve deeper into it and witness all the different levels to it and the story it tells, it becomes something much more than just sounds. Frank crafted a masterpiece but he also created the perfect shower tune in the shape of Thinking 'Bout You - there is nothing better then the feeling of accomplishment when you (almost) hit those high notes - and you cannot front and say you never tried.

In terms of performances, thankfully there was not a repeat of a performance like Nicki Minaj's last year. My favourite performance was definitely Mr Timberlake's come back with his classy, old school, 'Suit and Tie' performance. He went in and brought everything to his performance from Jay-Z to an orchestra when he performed some unheard new material. The best thing about JT is that he hasn't changed one bit (plus he is still hot), but his style still stands out from everything out there right now - timeless is the theme of his whole set.

Anyway, I'm done for now but I'll leave you with my favourite outfit of the night; Rihanna. She looked stunning in this classy (yeah, classy) floating red dress that actually made her look like a princess - proving when she tries and actually covers up, she's still got it yo...



Read More

Tuesday, 9 October 2012

Miguel - Kaleidoscope Dream *Album Review*


https://itunes.apple.com/us/album/kaleidoscope-dream/id561709112
There is nothing better than coming home from a long day of waiting for buses, lugging around a heavy bag and having so much information poured into my ears my brain started to flood, than putting in my headphones and being mentally massaged by the sweet, smooth sound of the new addition to the R&B royal family: Mr Miguel.


The best thing about the album is that; it's s typically Miguel. Yes there is the dose of sweet R&B songs that will make you want to slow dance with the nearest human being ('Adorn' springs to mind), but Miguel also added his self described "eclec-tric" flavour on the majority of his tracks with a lot of electric guitar heavy tracks. Now don't worry, if you know Miguel, it's not urbany electronic music on the scale of artists such as Labrinth (although I love him too), but sweet and subtle.

You'll be glad to hear that every track is different. As a good album should be. It's not an album full of slow jams but a mixture. The only consistent thing is the brilliant vocals that Miguel never fails to deliver. With a voice that can tickle your heart, he hasn't let us down. 
If I had to some it up in one word, I couldn't. It's gentle; "let my love adorn you".. Yet fiercely seductive; "I'm going to do you like drugs tonight"
Read More